Twenty-first century romance on the screen is begging for redrawing of its genre lines, and newcomer Andrew Haigh might be the one to do it. Reminiscent of the films of Kelly Reichardt, Weekend is a work of grace and introspection, but one that's always present and candid. The space between expectation and reality guides Haigh's narrative, which follows two young British men who, after a boozed-up one-night stand, tenuously further their intimacy. by WILL ELDER