The Killing of a Sacred Deer
Director Yorgos Lanthimos’ morality play uses the myth of Iphigenia—who was sacrificed by her father to appease the gods—as a springboard, but it’s the mythology of cinema that Lanthimos is intent on exploding as he uses sterile, slow, almost Kubrickian imagery to interrogate the story. The surreal hilarity of Lanthimos’ last film, The Lobster, is totally absent here; Sacred Deer is, in the moment, an unpleasant experience. But as the director is careful to announce early on, this is not a film about what you see—it’s about what you realize hours, maybe days, after you’ve left the theater. Lanthimos gets under your skin and stays there.
by Ned Lannamann