Subtlety has never been Michael Moore's strong point, and his send-up of the capitalist system is no more nuanced than his muckraking in previous films like Bowling for Columbine and Fahrenheit 9/11. Anyone with a leftist bent and a passing familiarity with recent headlines will be versed in Moore's rhetoric here, and Moore's methods haven't changed: He's still fundamentally a schlubby, not-particularly-charismatic screen presence. Yet despite all of this, Capitalism works. by Alison Hallett